History
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Ghost of the British Legion in Ypres, Belgium
This intriguing English-language ghostsigns is found in Ypres, Belgium, and has been identified for protection given its historical significance. I was alerted to it by regular correspondent, Daniel Lohmann, who has also done a bit of digging into this unusual ghostsign specimen. Firstly is the ghostsign itself and an explanation for it’s language, location and […]
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The Greatest Wonder of the World
While on my recent travels I was lucky enough to stumble upon The Greatest Wonder of the World exhibition at the State Library of New South Wales in Sydney, Australia. The banner outside in big gold letters of various scripts obviously attracted my attention, and what a treat it was (and still is until 12th […]
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Two brilliant ghostsigns from Bath
I was recently interviewed by Kirsten Elliott of Akeman Press for an article in a forthcoming magazine launch scheduled for later this year. We’ve since been in email contact as a result of our shared interest in ghostsigns and those from Bath in particular. (Regular readers will remember my little photo essay of a visit […]
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The origins of painting on walls
I’ve become increasingly intrigued by the origins of painting on walls, and the evolution of the form over time, up to the current vogue for street art. While the walls of caves were not made of brick, they did nonetheless provide people with an early canvass for their painting. The transition from these depictions of […]
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Astronomical charts and calculations on 9th Century Mayan wall paintings
This article discusses the recent discovery of these wall paintings in Guatemala dating from AD814. More images in this guided tour of the site. See also this past post on the walls of Pompeii.
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April and the fascinating world of fresco
A headline that started “Where there’s a wall” led me to this page (fittingly for today’s date the image is called ‘April’) and subsequently to the wikipedia entry for fresco. This is clearly an area that I will have to do more research into, especially given the global nature of the art form and the […]