Year: 2013
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Global Ghostsigns for the 2014 Calendar
The 2014 Ghostsigns Calendar has had some amazing material submitted, all of which is now available to view and like (i.e. vote for) on the Ghostsigns Facebook Page. There are 103 photos in all, from 11 different countries, proof that ghostsigns are a global phenomenon. Browsing through them I am struggling to decide on my […]
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Talks and Tours from Ghostsigns
I’m pleased to announce to regular readers of the Ghostsigns blog that I have some events coming up that should be of interest. Ghostsigns at St Bride: An illustrated talk on 20 November, previewed on Creative Review Ghostsigns walking tours: Join me in admiring some of ghostsigns that started my interest (including the one above), […]
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Anarchy on the Walls: Ghostsigns, Street Art & Graffiti
Kasey Smith’s ‘Perception Filter‘ blog is well worth a follow for all ghostsigns enthusiasts. Her dispatches from San Francisco have been a big influence on me, as evidenced by the number of times I’ve decided to highlight her observations, insights, investigations and mapping efforts here on Ghostsigns. Her latest post concerns the work above by artist Augustine […]
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Inch & Co Chemists Inspires Poetry
Coming back from my visit to South London I also spotted this ghostsign advertising Inch & Co Cash Chemists on Kennington Park Road. As I was trying to recall the location I searched for the company name and found a couple of references to it on the Formerly blog. The sign has provided a springboard […]
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Melbourne’s Ghostsigns and their Hunters
Back in March I was in Melbourne where I checked out some of the ghostsigns the city has to offer in addition to giving a talk alongside Stephen Banham at the University. Some of this was thanks to a chauffeur-driven tour by Stefan Schutt (Finding the Radio Book and Lewis & Skinner) and some of […]
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Bardas de Baile: Mexican Wall Painting
Bardas de Baile is a fascinating documentation of the ubiquitous painted walls found in Mexico. At first glance the images appear to be graffiti but closer inspection reveals that they are actually advertisements produced to promote local music events. The origin of these colourful pronouncements lies in the 1960s and this book documents their contemporary […]